Clarissa Johal: Nicholas Paschall
Showing posts with label Nicholas Paschall. Show all posts
Showing posts with label Nicholas Paschall. Show all posts

Friday, July 15, 2016

Guest Author - Dead and Proud of It by Nicholas Paschall #horror #YA #vampires @Nelfeshne

Dead and Proud of It
by Nicholas Paschall

"The things that go bump in the dark have been found... perhaps we should have kept the lights off..."

A rogue vampire who has forgotten his name serves as muscle for the vampire elite, who allow him a few weeks a year to freely hunt as he pleases. But after abducting a school bus with twenty-eight children on it, he finds that his lair has been revealed to someone. That someone is in the Police, and they show up as he's dealing with the children. Of the twenty-eight, only four are found.

Arrested and beaten, the mad vampire plots his escape and then goes into a state of hibernation. Upon waking, he sets out on a bloody path of revenge-fueled rampage, with ghosts, junkies, and a man named Horace all standing in his way. Watch out world, because this vampire is not afraid to bare his teeth. And his bite is far worse than his bark. This horror thriller dances along the edges of politics, religion, and sexuality without every crossing the line into themes that would make it a "naughty" book. Be ready for thrills and a roller coaster ride of surprises as the story unfolds before you.


Excerpt
The van begins to roll, steadily gaining speed as we begin to drive away from my refuge. Kneeling next to the officer, I strip off his vest and armor, tossing his gun to the side. Pulling off my tattered shirt, I tug his shirt free and pull it over his head. While kind of large on me, it’s much better than the bloody rags I’d been wearing.
Wiping a finger over the gash in his forehead, I pop the finger in my mouth and moan at the sinful decadence of it. Leaning forward, I tear into his throat with abandon, pulling at muscles and sinew as his veins burst fluid into the back of my mouth, the deliciously hot life warming my cold body as I gulped it down in time with his heartbeat.
I spend the next few minutes eating, draining his body of blood and stripping away the juicier chunks of flesh on him, popping them into my mouth with glee, chewing thoroughly around the gristle and fat. The padded van floor is now soaked through with blood while the officer is now paler than I normally am.
What a shame Shut Up had to die like this, I giggled as I move to a crouch. If he’d been polite I would have just knocked him out.
Scooping up the automatic weapon, I pull the magazine out, casually checking the amount of ammunition left in the clip. Full, it would seem.
Slamming the clip back in, I move up to the wall separating the metal tomb with the cab of the van, the only thing creating an opening being the small slit between the two; putting my ear to the wall, I try and pinpoint where the driver is exactly. Smiling as I hear his slow heartbeat through the thin sheet metal, I line up the automatic weapon to the wall.
“Knock knock!” I shouted out before pulling the trigger, letting loose a torrent of bullets into the metal, pulling the gun back and forth and up and down as I puncture dozens, hundreds of holes in the van’s interior.  The van careens immediately as the bullets obviously strike home true, punching holes into the driver that seem to have taken away his ability to drive safely.
Dropping the gun, I move up to punctured steel and slip my fingers through the holes, pulling and wrenching the it apart, granting me access to the cab. The driver is dead, or dying, blood draining from his body at a rapid rate as perhaps twenty of the bullets had gone through his body, stopping at the bulletproof cover that hung over his chest.
I smile at the irony.
“Move over, your driving days are over,” I said as I pull the gurgling corpse from the driver’s seat with one hand, using my other to grab the wheel of the vehicle. Slipping into the squishy seat, I quickly move to begin driving as safely as possible; hoping the sudden change didn’t draw too much attention.
The radio on the dash crackles to life. “Dan, you ok in there? Dan?”
Well shit.
I scoop up the dispatch device, pushing down the flashing red button in hopes that it’ll let me speak over the radio. “Yeah, I’m fine. Just hit a pothole and heard something in the back. The vamp is still chained up.”
The radio goes silent for a few minutes as I drive along the darkened road, my headlights shining on the van in front of me, my side view mirror showing me there’s another van behind me, effectively boxing me in. Adjusting the side view mirror a bit, I squint as I try and ascertain if the driver behind me is suspecting anything.
I see, just barely behind the tinted glass, movement in the vehicle behind me.
“I think they saw me…” I muttered beneath my (lack of) breath. Bullets ping off the side of my vehicle in rapid succession, like rain on a tin roof. “Yes, yes they did.”
I spin the wheel to the right taking a sharp turn off the dirt road, barreling into the forest around us. A screech of tires tells me that the van behind me is moving to follow me, unfortunately. Humming to myself as I weave through the tall trees, scraping the sides of the van with loud screeches into various trunks, I mildly note how unwieldy this vehicle actually is.
BAM!
A small tree cracks beneath the front bumper of the van as I drive through what was once a young elm tree. What it lacks in finesse, it more than makes up for in durability! I let out a whoop as I test the shocks of the SWAT van, careening down a gradual hill, cracking through and along trees as I go, the other officers hot on my heels.
“Don’t… stop… thinking about tomorrow!” I sing merrily as I fishtail, slamming the back of my van into a thick oak before slamming on the gas, tearing off in a new direction. I can hear the other vans struggling to keep up with me, their desire to have a drivable vehicle holding them back in their pursuit.
The ratta-ratta-ratta of automatic fire screams through the night, a couple bullets bouncing off the resilient hide of the van as I continue barreling through the darkened forest. As fun as this is, I truly need to formulate a plan; according to the digital clock on the dash, dawn is but a few hours away, and I can’t let myself become trapped out in these woods after going through so much to escape.
“Huh… what to do, what to do…” I muttered, looking through the cracked windshield in search of an answer.
Breaking through the forest line, I come upon a vast expanse of grassy hills and rocky ridges. “This looks promising…” I grinned, spinning the steering wheel towards the closest ridgeline. Jumping up and down as the van rolls over the hills, the shocks doing little to soften the bouncy ride, I continued singing along as I rapidly approach the cliff. If memory serves me right, this should be a fairly steep drop. Pennsylvania is notorious for hills and ridges, the semi-mountainous terrain making for a beautiful landscape, and in this case, a great avenue for escape.
The radio crackled back to life. “Vampire! Stop now and we’ll go easy on you! There’s nowhere for you to go!”
Pulling the mic close, I push the button as I stare ahead. “I respectfully disagree, good sirs. I told you I’d end up filing against you all for assault. Well, consider this my report.”
The van launches off the edge of the cliff, getting a good deal of airtime as it hovers briefly in the air, before gravity greedily latches onto the heavy metal box, pulling it towards the ground.
“Well, got to go. Have a good night gentlemen.” I say before tearing the radio from the dash and kicking open the driver’s side door. Before I can leap from the tumbling ton of metal, I hear a low groan from behind me.
Turning, I catch a glimpse of the officer that I’d shot up, reaching out and grasping the end of the wet black shirt I’d liberated from my captor.
“Wow, you guys are persistent. And you have terrible luck.” I laughed, launching myself from the spinning vehicle, flying from the van into the brisk night air to slam into the cliff side.
Slamming into the dry, dusty rock with a splat, I scrabble against the stone and the dirt, pulling at stray roots and branches as I struggle to find purchase. For a brief moment, fear enters my mind as I cannot find a good hand hold, but my fear is short-lived; I hook my fingers into the stone cliff, my toes finding purchase beneath me. A distant crash far below, as well as a sudden waft of heat and a flash of light, brings a smile to my face.
That guy truly had horrible luck.
________________________________________________________

Author Bio

Nicholas Paschall is a precocious ghoul happy in his graveyard, spinning yarns with the fresh entrails of his latest victim. He has a degree in History and loves to research old stories and forgotten lore, and publishes as much as he can. He is married with two dogs and no children, seeing as he ate them to make a short story. He can be found muttering to himself at his blog or on Twitter (@Nelfeshne), so feel free to drop him a line!



Tuesday, April 12, 2016

Tangled Tuesday - Guest Author: Nicholas Paschall - Modern #Horror and It's Creators @Nelfeshne

Modern Horror and It's Creators
-Nicholas Paschall

While I enjoy a good movie as well as the next person, words and symbolism through print will always hold a special place in my heart, for it’s through words that we find meaning! I thought that perhaps we could turn our attention to classic authors that made our genre even possible with their nightmare-inducing tales. For those of you that merely rolled your eyes at this statement don’t worry: Mary Shelley and Bram Stoker will only be mentioned this one time in this article.
The real father of horror in the modern sense, as well as science fiction to a lesser extent, would be H.P. Lovecraft. This man, for those of you unaware, published work from 1905 to 1935. A rather strange fellow, even when judged against the other classic writers, Lovecraft wrote poetry and macabre stories meant to both challenge preconceived notions and to mock established institutions that he both found mesmerizing and controversial at the same time. His Cthulhu mythos has spawned forth the majority of the more infamous science fiction tales, the strange characteristics of the mysterious star-borne monsters being the early influences for authors like Stephen King, Alan Moore and Neil Gaiman (to name a few), and his fictional monsters and locations have been featured in popular cinema and comic books for so long we would hesitate to even attribute them to him. Arkham, Massachusetts is a central location in many of his stories, and is also completely made up. The name Arkham has been adopted by many different medias, the most common being by DC comics for their infamous insane asylum. Meanwhile, his series of short stories about Herbert West were probably some of the first true zombie tales to be told in America, though the creatures Doctor West made were hardly mindless beings of indiscriminate carnage; instead they ranged from crazed monsters to talking heads, and everywhere in between.
Edgar Allen Poe is a true American horror writer, with his short stories and poems relying more upon the reader’s imagination to conjure the vivid imagery he used. The Pit and the Pendulum is nothing more than a primitive Saw movie in written form, while his infamous Raven-themed poem speaking of Lenore is so awe-inspiring that even the Simpsons cartoon made an episode where they parodied it. Poe’s early life is a textbook case for a garden variety Manic-Depressive, who medicated himself with Absinthe and other liquors to keep him half-sane enough to write up new, dark literature. So infamous is his work, so renowned, that public schools across America have his works read in English classrooms, while college courses are dedicated to his maudlin masterpieces. America’s answer to Shakespeare, Poe was a genius that paved the way for others to follow, creating writing about dark, twisted things that would have normally been best left unsaid. His writings stirred something in the masses, something primal; this was the first time they had experienced fear through their own imaginations (not counting the monsters they conjured in their own heads to fill the darkness). Churches denounced his work as sinful while critics raved over each new piece of work; when he died at a relatively early age of unknown causes, his work was turned over to a rival, Rufus Griswold, who began a smear campaign to try and ruin the late poet’s semi-good name. It’s thanks to him that many believe that Poe was a drug-addict, though it is also Griswold’s rather dubious assistance that Poe’s written word spread even further after his demise. Griswold put together the only biography on Poe, which included a large body of his work and personal letters, and sold it as the life a depraved lunatic. The American masses were intrigued, of course, which made Poe’s work spread like wildfire.
The entirety of horror and a great deal of science fiction sprang to life thanks to these two writers from the early 19th and 20th centuries, and if left alone the genre would most likely be quite different than it is today. But, in my eyes thankfully, this is not the case. When video games became a new phenomenon, through arcades and computers, the birth of a new platform from which to expose horrible thoughts and ideas was born. The best known horror series would most likely be the Japanese Biohazard series, which to the American audience it was marketed as Resident Evil. The story behind this series spawned numerous games, more than nine movies and seven novels, all revolving around the tale of an evil corporation and its twisted designs for world conquest through either economic, terrorist or militaristic means. This is one of the first modern horror stories that spanned over so many different platforms and touched so many different media, that the market became overindulged in their need for zombies, which of course led to a craze that has consumed much of the nation; zombie games and novels, movies and television shows… we can’t seem to get enough of them. Whether they are child friendly like Plants vs. Zombies, in computer games as actual playable characters like World of Warcraft, or merely in adult shows such as The Walking Dead, we just can’t seem to get enough of zombies.
The final hero of horror that I think deserves attention is the original writer of the Japanese ghost story Ju-on: The Grudge, Takashi Shimizu. This movie, in the original format and language, is by far a near-perfect reflection of the Japanese cultural fear of spirits, which was translated over to American audiences. We didn’t even know what we were seeing the first time we saw this film, our audiences freaking out over the mere presence of a meowing ghost-boy, as well as the crawling croaking mother that would drag you to your demise. The original film, as well as the remake, captures the elements of suspense in such a way that we really don’t know how to handle the scarier moments as they creep out of the darkness. This is one of the first stories that made it to American audiences where the supernatural use modern technology (when the croaking ghost echoes through a cell phone that it uses to lure a victim out of their home), as well as a real first where the “haunted” location is ignored; the ghosts in the Grudge traveled beyond their home and hunted their victims down, trapping them alone and picking them off one by one. The answer of burning the house that the ghosts call home is ultimately a failure, resulting in the ghosts continued assault on the protagonist, reaching all the way into two sequels and a side film of other ghosts created by the house.
These are not the only worthy entities within the horror genre of praise, merely three names that are rarely brought up when the scary stories are spoken of. Mary Shelly and Stephen King are the names that come to mind, with Bram Stoker following as well; these authors are great and definitely have molded the genre as a whole on their own, but these three truly created a niche that horror grew from. From the American authors of old that carved out a literary pathway for others to follow to the Japanese writer whose nightmares have influenced almost every ghost story since, these men made our scary movies what they are today.  



GHOST OF O'LEARY HOUSE
by Nicholas Paschall

Book Details 

Genre: Young Adult Horror
Release Date: March 13, 2016
ASIN: B01CYGKIV8
ISBN-10: 1530530490
ISBN-13: 978-1530530496
Number of Pages: 177


David O’Leary is a curious person to study. Carefree with a darker side, this college student studies Biology when not throwing a wild party or checking out the female portion of the student body. So when his mother knows she has to leave town for the weekend, she drags David to his grandmother’s house for the duration, tossing him to his grandmother practically giftwrapped.
But this sweet time with family quickly turns sour as David begins to see strange things in the house: an old woman crawling the walls of the home, a bleeding book demanding that he needs to perform a ritual, and his grandmother pressing toxic plants into his hand, telling him he needs to become a witch for the family’s sake.
As he takes his time to wonder, the book seems to want to “motivate him” and suddenly his mom has an auto accident, putting her in critical condition at a city hospital. Grandma explains that merely writing in the book is enough to rouse the spirit within, and it must be seeking a new person to bond with.
Join David as he works to uncover the mysteries of the sleepy town of Alice Grove, joined by a few reluctant allies. Discovery after discovery makes this suspenseful story keep you on the edge of your seat, so… what are you waiting for?


BUY LINKS
AVAILABLE in eBook and in Print


"She smiled. “I could use some aspirin, if you don’t mind. It’s in the bathroom in the medicine cabinet.”
“Okay,” David said, moving quickly out of the kitchen towards the guest bathroom. It was down the hall, at the end, past his doorway. Opening the door, he flipped on the light. The stark brightness of the fluorescent bulb against the white linoleum and ivory counter caused David’s eyes to burn for a moment. Blinking back tears, David walked over to the sink, staring at his reflection in the wall mounted medicine cabinet’s mirror. He looked pale, his hair disheveled; his blue eyes were wild and bright while skin seemed waxy and clammy. Holding a hand to his forehead, he tested his own temperature.
“I don’t feel bad…” he said, pulling his hand back. Pulling open the mirrored cabinet, he muttered beneath his breath as he grabbed the bottle marked aspirin.
Closing the cabinet, he turned and took a step from the sink before he heard it. A low, sucking breath. Turning, he looked to where he’d heard the sound and gasped. Pressed tightly against the ceiling, arms splayed wide, was an old woman, her eyes wide and blank. Her gray hair was pulled back into a bun, her features drawn taut as if the hair bun was pulling her skin back as well. She was pressed against the ceiling, as if something was forcing her into it, with billowing black cloth fluttering around her in tatters. Both hands were braced against the wall, her fingers splayed wide, her long talon-like nails dark and red, the color of rust.
David, too scared to move, merely stared at the old woman. She pushed her head closer to his, her mouth moving as if she were speaking, though no sounds were coming out. David could feel that she was trying to tell him something, trying desperately. But she just didn’t seem able to say anything.
“What do you want?” He asked, his voice wavering.
The old woman blinked, her eyes focusing on him. Her mouth closed, leaving her to take long, deep and rattling breaths. David stared at her for several long seconds before he heard his Grandma call out.
“David, have you found the aspirin?” She called, her voice echoing throughout the house.
The old woman whipped her head at the sound, the bathroom door slamming shut as she looked at it. David immediately dropped the bottle of pills and grabbed the door handle, twisting it. Somehow, the doorknob was stuck solid, as if someone on the other side was holding it steady.
Turning to look at the old woman, David shrank back when he saw that she’d crawled along the ceiling and was now on the opposite wall, head turned up to look at him at an inhuman level.
“What do you want?” He repeated, bending down slowly to grab the bottle of aspirin.
She stared at him, her clawed hands sliding along the wall as if she were being pushed skyward. “Go… up… come and… see…” She rasped out, her voice distant and echoing.
And like that she was gone, in the blink of an eye. David heard his Grandma call for him again and turned to open the door, running out into the hall to deliver the medicine."


Author Bio

Nicholas Paschall is a precocious ghoul happy in his graveyard, spinning yarns with the fresh entrails of his latest victim. He has a degree in History and loves to research old stories and forgotten lore, and publishes as much as he can. He is married with two dogs and no children, seeing as he ate them to make a short story. He can be found muttering to himself at his blog or on Twitter (@Nelfeshne), so feel free to drop him a line!